Woodworking Magazine Blog

Look around your neighborhood. The next time you see a truck belonging to a contractor or cabinetmaker, there’s a good chance that the company uses a handplane in its logo.

Though the image of a plane is the mark of the craftsman, there are few craftsmen who really know how to use the tool. Has this knowledge been lost? Are the tools simply obsolete?

The truth is that neither statement is true. The handplane is the most advanced and cunning wood-cutting tool ever invented, and it has yet to be surpassed by anything with a power cord. After World War II, handplanes began to disappear from shops because we traded speed for skill and expediency for quality.

Instead of calling myself a woodworker, I am now considering the title "outsider artist."

Now before you stop reading this entry and resume watching videos of funny monkeys, hear me out for a bit. Whenever I'm at a dinner party with strangers and they find out I'm a woodworker, there is usually one of two reactions.

1. They ask if I could please come over to their house this weekend to build them a new closet, kitchen island, deck or addition to their home.

2. They ask if I enjoy my job at the mall scrollsawing letters all day to make plaques for kids' rooms.

I have tried to explain how I design and build furniture, but I might as well be telling them that I make scented candles from reclaimed earwax. They don't understand why anyone would make something (furniture) that is so cheaply available from Ikea.

If you want to sell something to a woodworker, the easy way is to start by selling him on the idea that he can’t possibly do it himself. If you can accomplish that, then you have someone ready and willing to buy yet another jig to make joinery simple or publication that reveals the secrets to cutting dovetails. In truth, there isn’t much to woodworking beyond cutting stuff to a line and cleaning up surfaces you’ve cut. When I tell myself “I can’t possibly do that” a warning signal goes off, and I look for the reason why.

Drawing on his almost four decades of experiential knowledge as well as historic evidence dating back thousands of years, in “Hide Glue: Historical & Practical Applications” author Stephen A. Shepherd provides an in-depth look at the history, chemistry and techniques for making and using hide glues – as well as compelling reasons to do so.

The historical information is of particular interest to me. I was fascinated to learn, for example, that the Neanderthal artists of Lascaux used hide glue to help secure their paintings to the cave walls, and that a circa 1500 B.C. Egyptian mural depicts a glue pot on a fire. Shepherd also recounts a fairly detailed history of the hide glue industry in America.

When The Schwarz first handed me the M.Power PSS1, I was intrigued because sharpening has always been my woodworking Achilles’ heel – if you’re looking to round the end of a chisel, just hand it to me. I can do it. Having a device that locked everything in place to sharpen and touch-up my chisels and plane blades could be a godsend. If you’re a hand-sharpening guru, I doubt this is the setup you’ll be interested in using. But if you struggle with sharp, read on.

"And tho' the Mechanicks be, by some, accounted Ignoble and Scandalous yet it is very well known, that many Gentlemen in this Nation, of Good Rank and high Quality, are conversant in Handy-Works…"

If you are interested in the early development of Western woodworking – including joinery, turning and carpentry – here is some important news. Joesph Moxon's complete 1703 "Mechanick Exercises: Or the Doctrine of Handy-Works" is now available again for the first time in about a decade.

Gary Roberts of Toolemera Press has spent the last few years restoring and digitizing an original 1703 edition of this landmark work and now offers the book for sale on CD.

The book is a fully featured pdf, which means you can search it by keyword and skip easily to certain sections with bookmarks.

I'm just about ready to assemble a drawer, so my daughter Katy lays down her saw and heads to the pickle bucket below the drill press. She dumps the cool water down the drain outside the shop door and refills the bucket with hot.

Before Mike Wenzloff became a professional sawmaker, he was a furniture maker. Before that he was in graphic design. Before that? An almost-minister. And before that? Fetus? Nope. Logger.

Don’t buy the knife shown above. You’ll likely find it useless for dovetailing. It will languish at the bottom of your tool box, mocking you every time you push it and the Black & Decker battery-powered tape measure aside.

When I attended the 20th anniversary of Lie-Nielsen Toolworks, John Economaki of Bridge City Tools was at the next table. When Thomas Lie-Nielsen called out Bridge City as one of the other pioneering modern toolmakers, Economaki interrupted the speech.

"Bridge City!" Economaki cried out. "Going out of business for 25 years now!"

The crowd roared. What made it particularly funny for me was how true that comment is for so many small toolmaking companies. There is a perception among a lot of woodworkers that Economaki, Lie-Nielsen, Mike Wenzloff, Wayne Anderson, Konrad Sauer and even Karl Holtey must be very rich men.