Woodworking Magazine Weblog

This October, Woodworking in America will be held in our back yard here in Cincinnati on Oct. 1-3. Registration will open in early May, and we'll start telling you all about the instructors and 80 sessions as soon as we get all the contracts signed.

But there is one aspect of planning this conference that I could use your help with. For this conference, we're planning some extra evening events. And I'd like some advice from you about which ones you think are most interesting.

From outside the confines of our shop, the fact that I'm building another workbench might be interpreted as a cry for psychological help. After all, I already have my fair share of workbenches.

But there are some good reasons that I'd like to share with you. And believe me when I say that the problem here isn't me, it's you.

When I am deep into a sawcut, you could walk into the shop totally naked, on fire and covered with leprous monkeys, and I probably wouldn't notice.

Accurate sawing is tantric. It's a rhythm. It is meditation.

Several weeks ago I was planing a piece of palm when my hand slipped, and a deep sliver of the nasty grass dove into the middle finger of my left hand.

I dug out as much of the splinter as I could. But now almost six weeks later, the foreign object (as my doctor calls it) is deep inside my soft tissue. I can wait things out, or I can see a hand surgeon (I'm a good waiter).

Wood can be nasty stuff. Rosewoods make my tongue swell up like a Ballpark Frank. Some species (redwood, especially) sting like crazy when I get a splinter. And spalted stuff can kill you dead.

But aren't you worried about what wood can do to your tools?

I went looking during lunchtime for stuff to make my epoxy black. I struck out trying to find lamp black and black food coloring in our neighborhood. I guess our neighborhood just isn't chi-chi enough to support people who make their own tires or bake high-end cakes.

However, at our local art supply store, I found Gamblin "Mars Black" powder, a synthetic black iron oxide used to color both paint and construction materials. And I found some India ink.

On one of my early workbenches (the $175 Workbench), a split opened at one end of its benchtop a couple weeks after assembly. It was about 1/8" wide and a few inches long, but it might as well have cleaved the top in twain.

Everyone in the shop gave me a good mock – it was my first benchtop using Southern yellow pine. And I wanted to see if epoxy could – as my grandfather claimed – fix anything except overcooked swordfish.

Last week we offered free plans for the Skansen Bench I built for the April 2010 issue of Popular Woodworking Magazine. If you didn't hear about this, it's likely because you don't subscribe to our free weekly newsletter. You can correct that oversight here.

In any case, this bench was tremendous fun to build. It was $22 in yellow pine from the home center and a couple evenings in the shop. The sucker is stout, has some nice curves and exposed joinery as well. Read the whole article and download the free pdf here.

So what's stopping you? The legs?

From the chicken vs. egg file: Many beginning woodworkers think you have to have a workbench in order to build a workbench. So they buy a cheap workbench and suffer with it for many years until they get around to building a "real" bench.

Truth is, you don't need a bench to build a bench.

I dislike writing about the magazine business because it's not useful for our readers, who expect us to write about woodworking instead of engaging in navel-gazing.

But because we have received a lot of questions and mail about the merger of Popular Woodworking and Woodworking Magazine, I'm going to make an exception, lift up my shirt and take a quick peek.